Las óleos de todo Hans Eworth
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ID |
Image |
Painting (From A to Z) |
Details |
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64249 |
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1160 |
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Edward VI |
1547-53
The Hermitage, St.Petersburg |
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29304 |
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Edward VI |
mk65
1547/53
Oil on panel
20x14"
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96972 |
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Hans Eworth |
oil on panel, 38 1/2 x 24 in, 96.9 x 61 cm, Tate Gallery
cyf |
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1159 |
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Lady Dacre |
1554
National Gallery of Canada, Ottawa |
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98318 |
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Lady Mary Grey |
Portrait of Lady Mary Grey.
Date 1571(1571)
Medium oil on panel
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41399 |
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Margaret,Duchess of Norfolk |
mk160
in a very decorative close-bodied gown,with short over-sleeves and sham hanging-sleeves represented |
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77825 |
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Mary I of England |
1554(1554)
Oil on panel
21.6 ?? 16.9 cm (8.5 ?? 6.7 in)
cjr |
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81102 |
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Mary I of England |
1554(1554)
Medium Oil on panel
Dimensions 21.6 x 16.9 cm (8.5 x 6.7 in)
cyf |
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98073 |
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Mary Neville Lady Dacre |
1555-1558
Medium Oil on wood, cradled
Dimensions 73.7 x 57.8 cm
cyf |
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86563 |
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Portrait of an unknown lady |
oil on panel, 38 1/2 x 24 in, 96.9 x 61 cm, Tate Gallery
Date 1565-68
cyf |
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92191 |
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Portrait of an Unknown Lady |
oil on wood, support: 597 x 483 mm, Tate Gallery, T00606
Date 1557(1557)
cyf |
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87368 |
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Portrait of an Unknown Lady, signed |
1557, oil on wood, support: 597 x 483 mm
cjr |
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56007 |
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portrait of beardless man |
mk247
1521,oil on lindenwood,14.675x12.375 in,37x31.3 cm,kunsthistorisches museum,vienna,austria |
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78737 |
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Portrait of Mary Dudley |
Oil
Date ca. 1550-1555
cyf |
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41381 |
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Queen Mary |
mk160
it was presented to the national portrait gallery |
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79370 |
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wife of Sir Henry Sidney |
Oil
Date ca. 1550-1555
cyf |
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| Hans Eworth
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| Flemish Northern Renaissance Painter, active 1540-1573
Flemish painter, active in England. Jan Euworts was listed in 1540 as a freeman of the Guild of St Luke in Antwerp, but by 1545 he had moved to England, where until 1571 his name, spelt in a wide variety of ways (e.g. Eeworts, Eottes, Euertz, Evance, Eworts, Ewotes, Ewout, Ewoutsz., Eywooddes, Hawarde, Heward, Huett etc), appeared in numerous naturalization, tax and parish documents. About 35 paintings are generally attributed to him, consisting primarily of dated portraits of the English gentry and nobility. The majority are signed with the monogram HE, which led to their being attributed to the Flemish painter Lucas de Heere during the 18th and 19th centuries. Cust reattributed the paintings to Eworth on the basis of an inventory (1590) of the collection of John, 1st Baron Lumley, in which three monogrammed portraits were listed as being by Haunce Eworth
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